Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Saturday, July 9, 2022

WHATEVER HAPPENED TO SPIDER BABY JANE available now exclusively on the GODLESS HORRORS app!


My latest short story, "Whatever Happened to Spider Baby Jane?" is now live exclusively on the Godless Horrors app for a mere 50 cents! Click the link or download the app for a world of amazing horror fiction ranging from traditional to extreme and everything in between. The cover is by Steph Murr (naturally)!



Jane was a normal fourteen-year-old girl. She loved art, heavy metal, and horror movies. Her upbringing had some rough roads, but the only real mystery was the identity of her father.
The answer arrived when her grandmother got out of prison with a heart full of Hell and mind for revenge.

The first new fiction from Tim Murr, award-nominated author of The Gray Man, Neon Sabbath, and My Head is Full of Black Smoke, since 2020 is a mean slab of Splatterpunk action horror.

Jeffery X Martin, author of BLACK FRIDAY and HUNTING WITCHES has called Murr the "D Boone of horror" and his stories, "short exploratory surgeries, deep cuts exposing the stinking, poverty-stricken heart of hell.”

Wednesday, June 8, 2022

St ROOSTER BOOKS KICKS OFF SUMMER WITH A MONSTER JUNE!

 We're hitting summer hard this year with a packed June, following the late May release of the author preferred edition of Jeffery X Martin's Hunting Witches.


Issue six of Stranger with Friction drops mid-month with a feature on my favorite doom/sludge metal band CROWBAR, as well as all new fiction with the theme of Dark Tourism.


 I'll have a Godless Horror exclusive new short story called "What Happened to Spider Baby Jane" dropping on June 23rd, which I'm really excited to share, since it will be my first new piece of fiction in two years (not that I haven't been busy, I've got three novellas and three screenplays in various stages of completion). 

June 28th will see the simultaneous release of Thomas R Clark's Summerhome on Godless, Nook, Kindle, paperback, and hardcover. The follow up to last year's hit, The God Provides, Summerhome is a wicked slab of terror that will leave readers reeling!


But on the 26th, we are releasing the first short story collection from Icelandic author Villimey Mist, author of the Nocturnal vampire series. As the Night Devours Us is a wildly imaginative and terrifying cycle of stories that will drop first on Godless with the paperback and Kindle to follow on July 1st.




Monday, March 28, 2022

JEFFERY X MARTIN's SHORT STORIES ABOUT YOU and PAUL LUBACZEWSKI's I NEVER EAT CHEESESTEAK live on GODLESS HORRORS! And More!

"The new owner of a home that holds a terrible surprise. An insomniac whose quest for sleep leads you to a horrifying discovery. The parent of a little girl who holds the keys of damnation and salvation in her tiny hands. You are all these people, and more. In this brave collection, author Jeffery X Martin makes the reader the main character in fifteen nerve-grinding new stories, filled with horror, humor and jagged pieces of human nature."


"They say life is what happens when you're making other plans. It is also what happens when you need cash to record a demo, but that isn't as catchy in a song, or a meme. Al was coasting through life without a plan or a clue when he was offered a way to make quick cash without doing anything illegal, mainly because killing vampires is not technically against any laws. If he agrees he jump starts his musical career, but on the downside, he has to combat the forces of undead evil, including their horrific fashion sense. Will Al survive? Will his punk rocker sister Angie finally dump her loser boyfriend? Will Al's girlfriend come to her senses and dump him? Will Al's gruff partner Abdiel become "woke"? (Depends on your definition) Will the citizens of Philadelphia discover the dark festering evil that lurks in their very city?(other than Eagles fans) Will anyone eat an actual cheesesteak? The only way to find out is to read this book, because there will probably never be a Cliff Notes for this one!"

Both books are available on the excellent and revolutionary Godless Horror app, which is a must have for horror fans who prefer e-readers over paperbacks. For you physical media fans, Cheesesteak is available right now and Short Stories About You should be live within the next couple of days.


In Other News...

Starting in issue six of Stranger With Friction, we are excited to announce we will be serializing the new novella by Carter Johnson called Tales from Behind the Counter!


Dropping next month, April 21st, on Godless and Amazon, St Rooster Books is proud to present Saint's Blood by Ryan Bradley! Want a reason to be excited? Check out what Owen King, author of Double Feature: A Novel and Sleeping Beauties (with Stephen King) has to say about it;

"Miracles do happen in Ryan Bradley's dark and unrelenting Saint's Blood, but be warned; they come at no small price. Saint's Blood is an impressive debut. I enjoyed it and I'm excited to see what Ryan Bradley writes next." 


There's just over a month left to get your submissions in to us for No One Likes a Tourist: An Anthology of Dark Tourism. What is Dark Tourism? It's going to the site of tragedy, disaster, murder, or other dark events rather than going to Disney World for your vacation. I'm talking about touring Chernobyl or taking the Jeffery Dahmer serial killer tour. For this anthology, I'm asking you to take this concept and create your own dark tourism scenario. People going to bad places and having bad things happen to them. As always; no sexist, racist, homophobic, or transphobic material. I really don't like the rape-revenge sub-genre either, and I'm unlikely to accept such a story. Otherwise, go nuts! 

Word count: 3-5 thousand words

Payment: $20 and a contributor copy or the equivalent of $20 worth of contributor copies

Deadline: May 1st, 2022

Send to: Holyrooster76@gmail.com

Saturday, March 5, 2022

THe LaTeST FRoM St RooSTeR BooKS: BLACK FRIDAY and ABHORRENT FAITH



Our two latest releases are now available! We've started our release of author preferred editions of Jeffery X Martin's books with his debut short story collection, Black Friday: An Elder's Keep Collection. Originally released in 2012, Black Friday introduces us to the town of Elder's Keep, a small town in the foothills of the Smoky Mountains with a fair share of dark secrets. This Appalachian Horror/neo-Southern Gothic collection is simply amazing, and St Rooster Books is so proud to present this handsome new edition!

Next, the sequel to last year's critical hit, Abhorrent Siren by John Baltisberger has arrived! Abhorrent Faith is a tension filled philosophical monster bloodbath that will knock you on your ass! Undead Dad Reads says, "This gem of the extreme horror literature is a fascinating, fast paced, incredible edge of your seat read that pulls the reader in a world of the most hideous, blood churning mutations including the one of faith." 
And let's not forget the latest issue of Stranger with Friction the magazine just went live this very morning! Issue five has reviews of Izzy Lee's newest short film, Eric Red and Chad Lutzke's latest novels, and new fiction from Lamont A Turner, Carter Johnson, Jeremy Lowe, and Jeremy Margaree!




 

Tuesday, October 12, 2021

NEW SUBSCRIPTION SERVICES to ST ROOSTER BOOKS!


We're starting two subscription services at St Rooster Books! 

The first is for Stranger With Friction, our literary/horror/punk rock magazine, which drops four times a year. Our first three issues have come out really well and have received some solid reviews. We have a December issue coming to close out 2021 and then the first issue of 2022 should drop late February.


 Our second subscription service will be a lot more comprehensive; every book we release in 2022, including four issues of Stranger With Friction. We've had an amazing 2021 with the books we've released and the positive reactions from critics and readers. Subscribers will get exclusive goodies, early previews of releases, chances to win exclusive merch, and more. Part of this subscription will include seven books that I can't reveal the details on, but we're releasing six new editions of some books by one author that I LOVE and those reprints will be followed by a brand new seventh book. At this point, we have about 4-6 other new releases dropping as well, including our new anthology, which we'll be announcing an open call for in January! 



St Rooster Books 2022 releases plus a year of SWF: $130 
St Rooster Books 2022 releases: $100 
One year subscription: $40. 
Two year subscription: $70.

For details and to sign up or order any of our current and past releases direct from St Rooster, contact me at Holyrooster76@gmail.com.



Wednesday, February 10, 2021

COMING FEBRUARY 28TH from ST ROOSTER BOOKS; 3 HITS FROM THE HOLLER by PAUL LUBACZEWSKI

St Rooster Books is proud to present our second partnership with author Paul Lubaczewski, following last year's Basketball Diaries meets Clive Barker novella, A New Life. This month's release is a collection of three novellas of Appalachian horror called 3 Hits from the Holler and Paul continues to kick our ass with his brilliant heartfelt and intelligent narratives. Steph Murr did another amazing cover, that perfectly compliments the stories within. The book will be available in paperback and on the Kindle and you can order through your local book shops or online on February 28th. 



Before deciding to take writing seriously Paul had done many things, printer, caving, the SCA, Brew-master, punk singer, music critic etc. Since then he has appeared in numerous science fiction, and horror magazines and anthologies. Born in Philadelphia Pennsylvania, he moved to Appalachia in his 30s for the peace and adventure found there. He has three children, two who live in his native Pennsylvania, and one interrupting his writing constantly at home. Married to his lovely wife Leslie for twenty years, they live in a fairy tale town in nestled in a valley by a river. Author of over 50 published stories, his debut novel “I Never Eat…Cheesesteak” came out in2019, and his
A New Life and Cult of the Gator God both dropped in 2020.

Tuesday, February 9, 2021

OPEN SUBMISSION CALL! ST ROOSTER BOOKS is PUBLISHING an ANTHOLOGY of SEA HORROR!

 WHAT WE'RE LOOKING FOR; Horror stories set in or around the ocean (fishing villages, coastal town, an island, etc-so long as the central action heavily figures in the ocean). I'm not saying NO to Lovecraftian horror, partly because its hard to escape Lovecraft's influence over aquatic horror, but there are numerous Lovecraftian anthologies out there, so dig deep if you involve the Deep Ones, Cthulhu, etc. What I will say no to is anything racist, sexist, homophobic, or transphobic. Splatterpunk and extreme horror are welcome, but I draw the line at rape-centric/rape revenge stories written by men. That's always been a personal line for me. Give me gothic period pieces, blood and guts, shark attacks, ghosts, modern tales of madness, weird sci-fi horror, dystopia...Go nuts! And spread the word, I'd love to get a lot more submissions from women, people of color, and LGBTQ+ community. 

WORD COUNT; 3-5k words.

PAY; Flat $20

DEADLINE; May 1st.

SEND TO; tim-murr@live.com 



Wednesday, November 25, 2020

STRANGER WITH FRICTION MAGAZINE COMING MID-JANUARY 2021

Some of you that follow me on social media already know this, but Stranger With Friction is becoming a physical magazine, debuting in about two months from today. I've had a soft open call for the first issue, testing the waters and reaching out to people I often collaborate with and that open call is now closed, but I am looking for new fiction for issue two, which will come out in late April/early May. In addition, I'll be looking for some non-fiction articles on horror movies, punk rock, and outsider literature. Specific details are at the bottom of the page.

When I launched this blog, I only had the vaguest idea of what I wanted to do or how to do it. I was struggling to finish two novels, and all my early efforts at starting an indie publishing house had crashed and burned. I started writing Stranger With Friction at the recommendation of my late friend Jase, who thought it was the very thing I needed to get my writing back on track. I didn't even know what a blog was, but he helped me start my old writing blog, The Path of Most Resistance, but I was always so damn precious with it, it was never any fun and often very forced. Stranger With Friction was supposed to be more fun, but it was also supposed to supplement a physical magazine that would focus on horror, comics, and punk rock, but the magazine never materialized and I became really focused on Stranger for years, building it into a recognizable name, where bands and directors would reach out to me for coverage. My posts started pretty shaky, but I regained my footing and banged out the novels, launching a new publishing imprint, and Stranger helped me get writing gigs with Popshifter, Biff Bam Pop, and Diabolique Magazine. Also, in the mean time, St Rooster Books got bigger, I started publishing anthologies, and this year released two novellas from other writers. I've been so busy the last three years that Stranger has fallen by the way-side, despite my efforts to periodically return to it with either a filmography series, guest posts, the odd "My Heroes Have Always Been Monsters," or the Hardcore Wednesday posts. 

Finally launching a magazine brings us full circle and it feels really good. I'll always prefer physical media, because there's just something about holding an actual book, magazine, newspaper, or comic book in in your hands. Its special, it feels magic. I love the tactile connection to the art. My hope is that the magazine far surpasses the blog at its best moments. It will encompass horror and outsider fiction, deep dives into film franchises and band discographies, feature interviews with writers, directors, artists, and publishers, and will hopefully introduce you to new voices in the arts. 

Thank you to everyone who continues to come back here. The blog isn't going away and will be getting more frequent updates, to finally be that supplement to a physical magazine and keep you up to date on new releases from St Rooster Books.

The first issue of Stranger With Friction will feature all new fiction and poetry, articles by Chris Cavoretto of Werewolves in Siberia and Mark Pidgeon, an interview with director Izzy Lee, a huge article on the Texas Chainsaw Massacre franchise, a profile on publisher Weirdpunk Books, the return of my old Let Us Now Praise Noise column, an all new My Heroes Have Always Been Monsters, and more! If you want to be included in issue two, read out mission statement below the banner for details.

Stranger With Friction; a Magazine of Punk, Literature, and Horror Published quarterly by St Rooster Books.

Published four times a year, Stranger With Friction is a magazine that reaches outside of St Rooster Books’ publishing orbit to artists, writers and musicians who we admire and/or are inspired by. It encompasses outsider literature, punk rock, and horror movies which have informed St Rooster Books’ mission statement from the start. Featuring essays and reviews, interviews, fiction and poetry, and artwork, Stranger With Friction is printed as an oversized, perfect bound book-zine through a print-on-demand service and available to e-readers. St Rooster Books seeks to create a unique reading experience by mixing an eclectic group of writers and artists in an entertaining and collectible riot of a combination of Slash Magazine, Juxtapoz, Rue Morgue, and the Evergreen Review.

Submissions; Works of fiction should be 2k-5k words and pay is a flat $10 plus contributor copy.

Works of non-fiction (articles, essays, reviews) should be a minimum of 1k and pay is worked out with the individual writer, depending on the length of work, max pay is about $10-$15 plus contributor copy.

Send submissions to Tim-murr@live.com

If you want to advertise, full page ads are $25 and should be sent as an 8x10 B&W jpeg. Contact me by email at Tim-murr@live.com for Paypal info.



 


   

Wednesday, May 27, 2020

HARDCORE WEDNESDAY; MISFITS' EARTH AD

"On Earth
As it is in Hell
We'll see you dead and like it in
AD
AD
Kingdom come is not so bad
AD
AD
Bloody Hell is not so bad"




I feel like there was no escaping The Misfits, the New Jersey punk band that combined infectious sing-along whoa-whoa whoas, B-Movie imagery, and muscular aggression. I was destined to find this band and to love them. I didn't know anything about them in middle school, I don't think I'd even heard of Danzig, as he would have been winding down his post-Misfits outfit, Samhain, before going metal with his namesake band. Punk was barely even on my radar. I was obsessed with Metallica's ...And Justice For All and Alice Cooper was still my favorite singer (still is, frankly). I'd see the cassettes for Collection, Walk Among Us, Earth AD, and Evil Live and would always scan down the track listings for each album, always on the verge of buying one of them, but with my limited funds, afraid of throwing my money away on something that might suck. The album covers were amazing; the neon yellow skull, the purple group shot with that rat-bat thing in the back ground, the rough looking zombies, and the group shot individually framed in coffins. Songs like "Teenagers From Mars," "Die, Die, My Darling," "Braineaters," "Astro Zombies"-as a horror kid, I really liked where these guys were coming from. 
Visiting my dad one summer, I was skateboarding with my step-brother and one of his friends, and we were talking about music. Skid Row's "Youth Gone Wild" was big then and the three of us really dug that album. I asked them if either had heard The Misfits, the friend got a big smile on his face.
"The Misfits fucking rule!" He had Walk Among Us on cassette and let me hear a bit of "20 Eyes" on his Walkman. To be honest, I couldn't really tell what I had just heard or if it was any good. Mostly it sounded like a buzzsaw in my head, but the thing about it, I walked around for a year with "20 eyeeees in my head/20 eyeeees in my head!" Starting high school, I got deep into punk, as I've said in previous posts. I still only had a vague idea of who Glenn Danzig was, as his 1988 self titled debut album had completely flown over my head and his second album, Lucifuge wasn't even on my radar, but I'd seen the advertisements on Headbangers Ball. I'd put aside my lunch money for a couple of weeks and on a trip to the mall in Oak Ridge, I made a b-line for the record store and went straight to the cassettes with the intention of buying Walk Among Us. 

Well, they didn't have it! All they had was Collection and Evil Live. I went with Collection, as I was never big on live albums and I rode home with the cassette safely hidden in my pocket. (If you missed the previous posts, I was raised in a house that was very strictly against heavy metal music and every album I got caught with was scrutinized and judged and could be thrown in the trash, so I always had to be careful.) Fortunately, I was mostly left alone to my own devices. I lived in a windowless room in the basement, I had a drafting table from my dad, an old desk that someone was throwing away, and a decent/cheap stereo from my twelfth birthday. That night, I went downstairs, put the 2x4 under my door knob, so my brothers couldn't fuck with me, put The Misfits on and sat down at my typewriter to work on a new short story. 
The production quality was rough, to say the least. Very muddy and I couldn't understand many of the lyrics, but the energy the album was flinging off on every track was infectious as hell, revving me up like I'd taken too many caffeine pills. I credit the music for one of the best horror stories I'd written up to that point. It was zombie story (I was obsessed with George Romero's Dawn of the Dead and wrote a fair number of living dead short stories and comic book scripts in high school) called "Long Night of the Living Dead" or something like that. I really liked how it turned out and to this day Misfits are a staple of my writing sessions.
Over a couple of years, I got my hands on the entirety of their small discography and actively looked for any information on the band I could find, which was scarce in the early 90s. Danzig didn't like to talk about the Misfits and bassist Jerry Only and his brother, guitarist Doyle Wolfgang Von Frankenstein hadn't won a lawsuit that allowed them to reform the Misfits yet. Evil Live seemed to be the last of the recorded material available (until the 1995 release of Collection II, which rounded up all the remaining singles and EP tracks not available on Collection I), which on cassette and prior to the remastered version that came out after the box set (1996) sounded too muddy for it to be in heavy rotation and likewise with Earth AD, it just didn't sound as good as anything on Legacy of Brutality or Walk Among Us to me. So those albums mostly collected dust.
Fast forward a few years, I get Earth AD on CD, and I do a complete 180 on the album. You can hear the whole album on Collection I and II as those tracks close out each album, so it's not as if I'd not heard them all a hundred times, but I'll be damned if it didn't feel like I was hearing them all for the first time. I guess it was the clarity of listening to them on CD vs cassette or maybe my ears finally became attuned to a more thrashy sound after years of listening to hardcore punk, at any rate Earth AD went into heavy rotation, usually paired with Black Flag's Damaged.
I read an interview with Jerry Only sometime in the 90s where he said of the album that it was supposed to sound like Motorhead meets the Misfits, hence the thrash direction, with less anthemic sing-along tracks like on Walk Among Us. The album came out on Danzig's Plan 9 Records, two months after the band broke up in 1983. Danzig was already looking for the exit during the album's recording. He was writing new material for his next project while feeling increasingly disillusioned with the direction of the Misfits and not getting along with his bandmates. Until 2016, when Danzig and Only buried the ax and reformed the "original" Misfits, their's had been one of rock's saddest rivalries. There were lawsuits back and forth, shit-talking, lies, accusations, and even after Only and Doyle brought the Misfits back with Dr Chud on drums and Michael Graves on vocals, shit still couldn't work out and Only was abandoned by everyone to start all over again.
But what rock band worth their salt is without drama? What about the music? The original vinyl release of Earth AD was only nine songs long, the title track, "Queen Wasp," "Devilock," "Green Hell," "Death Comes Ripping," "Wolf's Blood," "Demonomania," "Bloodfeast," and "Hellhound." Clocking in at a mere fourteen and a half minutes. Fortunately, the album was reissued with three additional tracks, a studio version of "Mommy, Can I Go Out and Kill Tonight," "Die, Die, My Darling," and "We Bite." Danzig later said that "Bloodfeast" and "Death Comes Ripping" were originally intended as Samhain songs (and they did play "Bloodfeast" live).
"Earth AD," which I quoted at the top is a tribute to the Wes Craven cannibal classic, The Hills Have Eyes. It sets the tone for the album as a whirlwind with that furious drumming courtesy of Black Flag's Robo. Jerry and Doyle, across the bulk of the tracks, might as well be playing chainsaws, the way they buzz and burn over the beats. From "Earth AD" to "Queen Wasp" you can't catch your breath as the group blasts on with gang chants of "GO! GO! GO!" And then "Devilock" comes on, going even faster and the only moment of reprieve is the brief rumble before my favorite track "Death Comes Ripping" blasts your spine out. I always assumed that "Green Hell" was probably about the Italian cannibal films like Cannibal Holocaust or Cannibal Ferox, because the Amazon rainforest is also called the Green Inferno. Green Hell is also the title of one of James Whale's (Frankenstein, Bride of Frankenstein) last films, from 1940 about hunting for Incan treasure, but the lyrics don't really seem to match up with any of that, so I don't know. It's a heavy song. I love the studio version of "Mommy, Can I Go Out and Kill Tonight" and that's no knock against the live version on Walk Among Us. The mid-tempo stomping intro that fades into a wash of feedback as Danzig asks the eternal question; "Mommy...Can I Go Out...And Kill TONIGHT??" Before the band thrashes back in like psychos on a rampage is fucking glorious and one of the Misfits finest and most iconic recorded moments. I can easily imagine Danzig becoming a werewolf while singing "Wolf's Blood." "It's wolf's blood/It's pumping like it's fucking in my veins/And I feel my vertebrae shaking..." Such a mean song! And sticking with what I assume must be a werewolf theme, "Demonomania" finds Danzig proclaiming that his "father was a wolf" and his "mother was a whore." "Bloodfeast" is the album's slowest track and you can really hear Samhain coming here as there's more of a goth/death rock feel than thrash/hardcore. And it's a good, catch your breath track, even if Robo is still pounding the fuck out of those cymbals like his life depended on it. "Hellhound" starts with the chorus ("that's gonna rip your face off") spinning out of control, but tucks in for the verses and then releasing again. It's a hell of a fun yo-yo effect, which originally ended the album. Instead though, we're next treated to another one of the Misfits' most iconic songs, "Die, Die My Darling." "Die die die, my darling/Don't utter a single word/Die die die, my darling/Just shut your pretty eyes/I'll be seeing you again/I'll be seeing you...in Hell!" What a break-up song! We end on an absolute rager, "We Bite," which brings back both cannibalism and wolf references, making it a sort of summation of Earth AD.
The brilliant cover art was painstakingly hand drawn by LA punk legend Mad Marc Rude, who spent days on the stipulation and undead characters. Depending on which version you get the black and white art was augmented with a green and purple or green and pink background. For a band known for having cool images on their t-shirts, albums, and 7 inches, the Earth AD is my favorite of anything they've ever released. there's a brilliant and heartbreaking documentary on Marc Rude, currently streaming on Amazon, called Marc Rude: Blood, Ink, & Needles [2014], and I highly recommend checking it out. He also did the artwork for one of Tex and The Horseheads' albums. He was a mighty talent plagued by personal demons.)
Misfits were never a hardcore band before Earth AD, in fact, when they started, there wasn't even a guitarist. Glenn played electric keyboard and the Misfits sounded more like Suicide. But after getting Bobby Steele on guitar and later Doyle, they truly became the epitome of everything good about punk rock. They created the sub-genre of horror punk, and influenced countless bands over the next four decades. Earth AD isn't there best musical statement overall and not the strongest album they could have gone out on, but for the aggression, for the catharsis I get from listening to it-the album is a beast unlike anything they unleashed before or since. When the band came back in 1996, they went for a happy medium between the sing-along anthems of Walk Among Us and the muscular thrash of Earth AD, with greater success on American Psycho than on Famous Monsters. The last album of the only-Only era, Devil's Rain, also reached back to Earth AD, with just a bit more metal influence and longer songs. Now that the "original" Misfits have played a number of shows together, Danzig has stated he's open to recording a new album. Frankly, I don't care if it sucks. I don't think it will, but regardless, they've already sold a copy to me, whatever it winds up sounding like.

  

Saturday, August 3, 2019

AVAILABLE NOW FROM ST ROOSTER BOOKS; THE GRAY MAN and KIDS OF THE BLACK HOLE


It's alive! ALIVE! Kids of the Black Hole; A Punksploitation Anthology is live! Featuring Paul Lubaczewski (I Never Eat...Cheesesteak), Jeremy Lowe (Daily Grindhouse, The Modern Rippers), Chris Hallock (Diabolique, Boston Underground Film Fest), Sarah Miner, and myself (Neon Sabbath, Motel On Fire, etc). With another gorgeous cover by Stephanie Murr!

There was just something special about channel surfing and coming across Class of 1984 or Repo Man on cable. How many times have you rented Suburbia and Return of the Living Dead? Do you have The Green Room and The Ranger on Blu-ray? For some of us, Punksploitation holds a special place in our hearts. Especially for those of us who came from the sticks or small towns where there was no punk scene and our only connection was the music and the movies. St Rooster Books is proud to present five tales inspired by Punksploitation; “Urchins” by Chris Hallock, “Black Thunder” by Sarah Miner, “I Love Livin’ in the City” by Paul Lubaczewski, “Skate or Die” by Jeremy Lowe, and “What We Do is Secret” by Tim Murr. The stories run the gamut from B-movie sci-fi, to weird, to funny, to splatter, to straight horror. All are written from a place of love for punk rock and the movies it inspired.

Get Your copy HERE!


What do you do when your family becomes your prison? Tim Murr, the author of Neon Sabbath, Motel on Fire, and City Long Suffering, takes you to a small town in East Tennessee, where a young family move into a home where a predatory spirit lies in wait with generations of tragic secrets pulsating just under the surface. THE GRAY MAN is Murr's most personal work to date and also his most horrifying.

My new novella, The Gray Man, is now live on both e and paperback formats, fiends! Featuring a gorgeous cover by Stephanie Murr, who also did the covers for Motel on Fire, Neon Sabbath, Conspiracy of Birds, and To Be One With You.

Becky Narron from Deadman's Tome Publishing said The Gray Man is "a wild, tense ride you won't forget...brilliantly written..."


Order your copy HERE.

Sunday, September 9, 2018

MY HEROES HAVE ALWAYS BEEN MONSTERS PART 53; DON COSCARELLI

When I was a kid, my favorite toys were Masters of the Universe. I had a pretty good collection for a poor kid. One Christmas, my dad even got me Castle Greyskull. I have to say, though, I hated the name 'He-Man.' I didn't get it, such a dumb name. And the cartoon? Fuck that cartoon, I always hated it. Fortunately, I discovered a movie called The Beastmaster (1982). The Beastmaster was a fantasy epic that contained some really scary scenes, featuring humanoid bat creatures, and followed a lone warrior that traveled with a falcon, a panther, and two ferrets-all of whom he could communicate with. After I saw The Beastmaster, my He-Man figure lost his armor/bandoleer thing and Skeletor's giant black panther lost his armor, and He-Man was from then on The Beastmaster and all my MOTU stories became Beastmaster stories.
I had no idea, then that the director of The Beastmaster would wind up having a much more profound influence on me as a writer. Don Coscarelli wrote and directed the film, but more importantly, he wrote and directed the horror classic Phantasm.
I was well into my obsession with the big slasher franchises of the 80s when I rented Phantasm one Fangoria that month (July 1988) so I felt like I should get to it. I watched it on a Saturday afternoon and I can honestly say I had no idea if I liked it or not. It certainly filled me with dread, but I was also confused. I felt like I missed something. I let it go for a while, waiting for the sequel to make it to VHS, which, from reading Fango, sounded really cool. And hey, it was!
weekend. The second film had been the cover feature in
Phantasm II built on the first film in a really interesting way and inspired me to re-rent the first film again. This time it made more sense. Taken together with the third film, Lord of the Dead and the fourth, Oblivion, the Phantasm franchise presented worlds within worlds. Layers of reality, dreams and hallucinations becoming corporeal, misdirection, and no rules to govern the universe. Phantasm 1-4 are a slow burn end of the world about a kid named Mike (Michael Baldwin) growing up in the twilight years of Earth as an entity known only as 'The Tall Man' (Angus Scrimm, RIP) plunders grave yards across the country, creating slaves for inter-dimensional world conquering. Teaming up, first with his older brother Jody (Bill Thornberry) and later with Jody's friend Reggie (Reggie Bannister), Mike becomes a man between 1 and 2, becoming a hardened soldier in the war against the dead. As does Reggie, who we first meet as a mild mannered ice cream man and soon becomes a four barrel shotgun toting bad ass. Phantasm was as out of step with Jason and Freddy in the 80s as Clive Barker's Hellraiser. Surprisingly, there was only one attempt to expand on the Phantasm universe outside of the films and that was in Stephen Romano's (Eibon Press, Fulci Comics)single issue comic.
In 2002, Coscarelli returned to the director's chair with one of the best horror films of the last three decades, Bubba Ho-Tep. Based on a story by Joe Lansdale (Hap and Leonard), Bubba Ho-Tep was a wild and off-beat concept inside an emotional and down beat story about a seventy year old Elvis Presley living out his last days under an assumed name in a Texas retirement home that's being menaced by a soul sucking mummy. Elvis was played by Bruce Campbell (Evil Dead) and Ossie Davis played John F Kennedy. I don't know if anyone was prepared for how smart, exciting, cool, and quirky Bubba Ho-Tep was. I've had to watch it annually and it hasn't diminished a bit from repeated viewings.
Coscarelli's next film (after shooting two episodes of Showtime's Masters of Horror) was an adaptation of the David Wong novel John Dies At The End (2012). I was fortunate to catch the film at the Nevermore Film Festival in Durham NC. I had been obsessing over the trailer leading up to the fest and my god it did not disappoint! The story centers on best friends, David and John, who have been exposed to a drug called Soy Sauce that opens doors to other worlds. Similar to Phantasm, dreams and hallucinations could become physical threats, as monsters from the multi-verse spill into our world, with nothing but a couple of numb skulls standing between them and our world. Hilarious, gross, and smart, Coscarelli boiled the sprawling novel down to a fast paced, action heavy thrill ride. It also featured an amazing animated sequence from David Hartman, who would go on to direct the fifth Phantasm film, RaVager (which I fully love).
Going back to Bubba Ho-Tep, that movie dropped at a time in my life that I would call my 'wilderness period.' I had been struggling as a writer since mid '98 to write...anything. Before I graduated high school in '94, I had moved on from Stephen King and Clive Barker to Jack Kerouac and William Burroughs and the horror and sci-fi elements in my writing started taking a back seat to more character dramas and political content. I got into Charles Bukowski and Hubert Selby Jr and almost never picked up a horror novel. In 1996, I went to see Scream with my friend Jase on opening night. I still rented horror movies on a regular basis, but that night with Scream I misunderstood wes Craven's intentions and felt like I was being made fun of for being a horror fan. Scream opened the flood gates for the late 90's teen horror deluge and it felt like horror slipped right out of my life completely. But when Bubba Ho-Tep came out I was reminded of how much horror meant to me and that was the beginning of me finding my way back into writing new material. I went back to the Phantasm films (as well as Argento's films that were finally becoming available in uncut versions from Anchor Bay) and in 2011 I completed my first novella, Conspiracy of Birds-a story where reality and time were slippery and dreams and hallucinations had physical ramifications. Just last month I released my latest collection of short stories, and the closing tale, "The Jennings Point Story," owes a lot to my love of Coscarelli's work.
Coscarelli is coming to Syracuse in October with his new autobiography, True Indie along with a double feature of the remastered  Phantasm and Bubba Ho-Tep. I'm ridiculously excited and will be bring my Phantasm II issue of Fangoria and my special edition Anchor Bay DVD of Phantasm to get signed. Here's hoping we get the Ho-Tep sequel Bubba Nosferatu soon!
Keep watching the skies, nerds!

Saturday, July 14, 2018

reviewed; THE RIDGE by JEFFERY X MARTIN

Available July 27th, 2018
Shadow Work Publishing

For generations, the Sanford family have lived on the rural outskirts of Elders Keep. But now, Lucas Brock and his pregnant wife, Jude, have chosen to make their home among them as the first outsiders to settle onto Wednesday Ridge in a century. With the arrival of new blood, the horrific secrets the Sanfords have been hiding are coming to light. There's something on the ridge, something that should not exist. It is ancient. It is ravenous. And on the ridge, everything is prey.


It takes a lot to unsettle me these days. I have my buttons. I have particular stories I still choose to avoid. But to actually give me that sick feeling in the pit of my stomach I used to get as a kid and could see Jason Vorhees sneaking up on a camp counsellor and she's totally unaware-that dread, as a horror noobie, for what is about to befall this person if he/she doesn't turn around and run-it's so rare to feel that these days.

Well, my buddy Jeffery X Martin once again gave that feeling back to me. He did it previously with Black Friday and Hunting Witches. His newest book, The Ridge, (which drops on July 27th) had me sick with dread less than a quarter way through, and it wasn't just the Southern folk horror aspects, that are a hallmark of his work. What got me first was the story of a couple about to have their first baby. In a sense, it's a bit of a fish out of water story. Two people from the city, the husband a college professor, moving out to the country-which is about as familiar to them as the plains of Mars, and the wife being left alone with the weirdo neighbors and all the strangeness that goes along with living in the hills. Lucas and Jude love each other, they are happy together, but I can tell you from first hand experience, moving into a new area, far from friends and family, while pregnant will cause tempers to flare, will bring on stress and anxiety, and if it's only the two of you there with no one else to really talk to-all of that will come out and be directed at one another. Regardless of whether or not the love is still there, you feel trapped in an emotional bubble and the threat of it popping is ever present. That's the heart, the engine, that drives The Ridge. 

I have heard it said by many people, any good horror story must still be a good drama if you take the horror elements away. So, in the case of The Ridge, done. Five stars. Two thumbs up. What about the horror elements though? X knows how to scare you. He knows how to dig in, make your skin crawl, make you hold the book away from you just a little more...He can paint a vivid landscape of despair in your brain that's hard to wash away. Violence that rolls by slowly, so you don't mis an ounce of the pain. You feel that bone shatter and you sit with it for as long as the character has to. I think of Dennis Etchison, Stephen King in his prime, maybe a little HP Lovecraft (minus all the "cyclopean towers"), Books of Blood era Clive Barker. X is building a body of work with his Elders Keep stories that can stand shoulder-to-shoulder with the giants rather than just stand on their shoulders.

I tell ya, X has been inspiring me to work harder, do better, and be more since our bar days back in Knoxville, Tennessee more than twenty years ago. To see the artist he is today is nothing short of awe-inspiring. If you don't know him, I feel bad for you, but you can remedy that by following him on Twitter @JefferyXMartin  and like his Facebook page. And order The Ridge today!

Sunday, February 25, 2018

MY HEROES HAVE ALWAYS BEEN MONSTERS PART 52; FANGORIA

So it is official, fiends, the news is true; FANGORIA returns this October in a new quarterly format. And it's about time! Getting into horror back in the sad, old pre-internet days of the mid to late 1980s when I first started getting into horror, Fangoria was my source of information for wading into the carnage infested waters of horrordom. The magazine launched in 1979 and I remember being a chicken shit little kid picking up issues at the gas station, flipping through the pages with shaking hands, before slamming it back on the rack and running to the relative safety of The Amazing Spider-Man or Cracked.


The first issue I ever bought, was number #79, December 1988. The cover story was for Halloween 4; The Return of Michael Myers. I was twelve and been spending the last couple of years testing the waters, sneaking to watch The Thing or Friday the 13th on late night TV, taking notes about David Cronenberg's The Fly and Joel Schumacher's The Lost Boys from episodes of Siskel and Ebert, and obsessing about Dario Argento and Clive Barker from episodes of Stephen King's World of Horror. Unlike these TV shows/movies, though, Fangoria was consistently on the shelves every month and once I had one in my hand, I could re-read it over and over again. It armed me for trips to one of the local video shops. It was a valuable source of research and inspiration for me as a young wanna-be horror writer, it introduced to filmmakers, writers, special effect artists, and actors that I came to think of as 'friends' growing up.

I believe it was issue 119, with Bram Stoker's Dracula on the cover that changed my life as a wanna-be comic writer. I had been writing comics for my friend to draw for a few years. We were doing super hero comics, while being influenced by films like Dawn of the Dead and Evil Dead 2, but we weren't seeing comics that matched where our hearts and imaginations were leading us. I went down to the grocery store to pick up the new Fango and flipping through the pages on my way to the register, I came across a big article on Rebel Studios and their fucked comic Faust; Love of the Damned. A book that featured graphic violence, graphic sex, and graphic violent sex. I called my friend and told him, we've found our comic! The very next comic-con, we were a couple of demented 14 year olds prowling the floor, asking every vendor if they had the book and no one wanted to deal with us, even calling us demon children and ordering us away from their booths. (One cool guy helped us out though, but told us not to tell who we bought the four issues from.) Who knows when I would have heard of this deep underground title without Fango.

The whole reason I started Stranger With Friction, was because I wanted to recapture the feeling I used to get from reading Fangoria back when I was weird, lonely, horror nerd that didn't feel so lonely after reading a feature from David Schow or an interview with Don Coscarelli. So it means a lot that Fangoria is coming back and I can't wait to have that first issue in my hands.

Fango forever!


To stay up to date on all the latest Fango news and to get a subscription, hit Fangoria.com!

Wednesday, February 7, 2018

new fiction SHARDS OF STAINED GLASS ON WET PAVEMENT


Shards of Stained Glass on Wet Pavement, written by Tim Murr, copyright Tim Murr/St Rooster Books 2018. No parts of this story may be reproduced with the sole permission of the author.


There was no use screaming for help, no one would hear. Every house was dark and abandoned. The yards were overgrown and weedy for as far as Ashley could see. For sale and foreclosure signs were nearly hidden from view. Half the streetlights no longer worked and the lights from down town were a good ten blocks away. She couldn’t duck between houses, because her pursuers were traveling through the backyards. She knew they were faster than her and could have easily gotten in front of her by now-they were playing a game. She crossed Dover, where the valley flattened out.

This used to an upper middle- class neighborhood. Most of the houses could be described as McMansions, but now they looked ravaged by war. Years of disrepair and vandalism marred the whole Feliz Valley neighborhood. The water supply had been poisoned back in the early 2000s by a massive chemical spill from Benson Research up in the hills. It made three square miles of prime real estate uninhabitable. The town of Millerton was beaten to half it’s size in the space of a year. The down town had two lives; the day time businesses that all, including the lone grocery store, all closed by 5 PM, and the night time businesses of bars, adult book stores, greasy diners, and strip clubs that were the only things that really kept the local economy going. Millerton had become a haven for a criminal element. It was where you went when you’d pushed your luck in your own town. The drug and prostitution trade flourished under the broken back of an understaffed and overworked police force. It was a good place to find people who wouldn’t be missed, if you were a serial killer.

There was only a sliver of a moon above her, but the stars were amazing. She couldn’t help but glance up from time to time as she ran, it helped her reach her happy place, which was she needed to not lose her head in the moment. She could hear them, rushing through the weeds in the blackness behind the houses. Sometimes she’d catch a loud whisper or a chuckle. They were certainly ahead of her, she’d hear them take off as she passed their vantage points. She heard footsteps on the pavement behind her, but when she looked back, there was no one there. She’d been running straight down the middle of the street since getting separated from her car almost five blocks back at Edison Park. They were in no hurry. The night was young.

Set far off the road, but running at a sharp angle from the houses, was the property of a Methodist church. It was a fairly new building, finished just before the accident. The church had a large main building with two wings; offices and a rec center. It was a modern design with classic flourishes, like gray stone accents, a beautiful ornate steeple, and a round stained-glass window, eight feet in diameter, depicting Christ’s ascent to Heaven. Through the weeds, she could see orange and black no trespassing signs on either side of the main drive that opened into the black top parking lot. Weeds were growing though the cracks in the pavement. As she hit the parking lot, she figured she had almost the length of a football field to clear with no cover. They were closing in around her but remaining out of sight. Her lungs were burning by the time she reached the steps leading into the vestibule. Never mind the locked doors, all the glass in the front of the building had long since been smashed out.

She only slowed down to step sideways between two steel frames on to the moist carpet with pebbles of glass crunching under foot. Straight ahead were the big double doors leading into the sanctuary, to either side were wide carpeted staircases leading up to classrooms and the upper deck seating. There was graffiti everywhere.  She paused long enough to look back and try to gauge her pursuers’ ability to see her. They were still invisible out there and she hadn’t been able to see inside from the parking lot. She took the stairs to the right and paused again at the top to watch the doors for a second before gently pushing open one of the double doors leading into the sanctuary.

The door opened into the highest point of the balcony. There were four rows of seats that made a U shape over the seating below. The stage had been stripped bare and was now littered with the evidence of people camping out in there. The vestibule had smelled moldy from where years of weather had ruined the plush carpeting, but the sanctuary smelled like death. A chill ran down her spine. She felt like she’d just stepped into the spider’s web.

Ashley stayed low and tried to calm her breathing as she worked her way to the right of the stage. There was just enough light from the narrow windows, that lined the upper walls, to give her some view of the floor below. Once her eyes had fully adjusted, she could see some bodies scattered about in the seats. The church had put in theater seating, rather than pews. Someone was softly snoring down there, which for some reason, made her situation scarier. Anyone could be down there, but she was sure it would be no one willing to help her. She sank down to the floor, in the corner where the wall and barrier met and drew her knees to her chest. She closed her eyes for just a few seconds at a time, but it was enough.

She listened to someone waking up, stumble among the chairs, and take a long piss below her. He coughed several times, which echoed through the chamber. Others stirred below, one a woman who started quietly protesting. The pisser mumbled something gruffly under his breath and the struggle got louder. Ashley was about to look over the edge to see what was going on, when the doors downstairs burst open.

Shadowy figures filed in, back lit from the streetlights shining through the stained glass. They spread out down the aisles, checking the sleepers. The pisser had left the woman and had retreated on to the stage. The upstairs doors opened, and two flash light beams swept the seats. Ashley held her breath, pushing herself to the side of the row, making herself as small as possible. She almost peed a little when she heard two of them run down the steps, but they ran to the opposite side of the room and ripped a blanket off a woman over there, shining a light in her face. She pleaded with them not to hurt her. They didn’t speak, just swept the room with their flashlights again and left the balcony.

Ashley let out a long sigh of relief and relaxed her legs a bit. She could hear the office and classroom doors being opened and slammed. After a while, she could hear them making their way beyond the stage and into the back halls that lead to the administration and recreation wings. Odds were good that they’d assume she escaped out the back. She wondered if she should try doubling back to her car or just try to reach down town. Of course, staying put until the sun came up didn’t seem like such a bad idea either. She decided to rest a while.

Ashley had grown up in Wheeler, only an hour away. She was old enough to remember when Millerton was just a blip on the map. Benson had made it a thriving mini-metropolis in the space of a decade. She was a senior in high school when the accident occurred. Wheeler being the closest town, saw an influx of a Millerton’s refugees coming to start fresh after losing everything. Wheeler didn’t have much in the way of job options, outside of the railyard, some warehouses, and trucking. The trailer parks and low rent apartments filled up and Wheeler’s unemployment skyrocketed. Seemed like everyone from Millerton eventually got sick. You always knew who they were, because they’d be pale in the summer, with a raspy wet cough and sunken eyes. There were lawsuits brought against Benson, but the owners had abandoned the lab and ran to Mexico with all the company’s funds. The employees were left broke and unemployed like everyone else.

Ashley’s dad was a freelance private investigator that worked for the railroad and two of the trucking firms. He investigated insurance fraud and theft, mostly, but occasionally missing persons. Ashley’s mother had committed suicide when she was five, so Ashley became her father’s shadow, and after two years of community college, she joined the family business. It was just the two of them and a revolving door of secretaries.

A week earlier a woman had come to their office with a wad of cash and laid it on his desk with a picture of her teenage daughter, a high school junior, half white, half Hispanic, big hazel eyes, a sad smile, and a veil of black hair. Her name was Christa Jay, or CJ. The mother’s husband had worked for the railroad and had been murdered a year earlier in a mugging. Ashley and her father remembered him. They’d helped the police find his killer, that’s why she came to them. Ashley’s father had taken the case and told her to hold on to her money. After checking around Wheeler for a few days, he decided to head over to Millerton. Local girls had wound up there in the past, usually stripping or hooking. Some in shallow graves along the highway between the towns. He hadn’t been gone four hours when Ashley got a phone call as she was about to lock up the office. Her father had been shot dead in the middle of Main Street in downtown Millerton. No one saw anything.

When she arrived in Millerton to identify his body, she was shocked to see the crime scene blocking the street in front of the police station. She parked on the edge of the tape, across from the station, by the Catholic church, which was also cordoned off as part of the crime scene. The stained-glass windows had been shot out from the inside, and the shards were all over the sidewalk and street. It was raining hard and no one was around.

Ashley ducked under the police tape and went inside the church. That church was probably as old as the town. It was ornate and beautiful, but very small. From the front door you stepped right into the sanctuary. There was a small area off to the right with a bowl of holy water on a white pillar and a single door on the left side of the alter. The only person in the place was a woman wearing ridiculously high heels, way too much make up and a dress so short it kept riding up her ass. She was tearfully sweeping up glass and splinters in the middle aisle. She didn’t notice Ashley until she stopped to pull her dress back down, after bending over to sweep debris into a dustpan.

“I’ve never seen a nun dressed like you.”

The woman stared blankly at Ashley.

Ashley shrugged her shoulders and looked around. There were bullet holes in the walls and pews.

“What happened here?”

“Nothing.”

“Oh, ok. I guess I’ll be going then.”

She turned to leave and spun back around.

“Wait, fuck that. My dad got killed in this fucking dump this afternoon and I was told there were no witnesses, but then I walk in here and it looks like the aftermath of a John fucking Woo movie and there’s a fucking stripper sweeping up the place, so when you say nothing happened, uhhhh, I’m not going to be fucking satisfied with that.”

“Sorry about your dad, but he should have known better than to come throwing his weight around here. Take this as a hint and fuck off.”

“He came here looking for a teenage girl we believe was abducted and brought here…”

“Oh, that narrows it down. What makes her special?”

The door opened behind her and a scrawny deputy with a scar under his left eye stepped inside.
“Mam, this is a crime scene, you can’t be in here.”

“I’m afraid she’s potentially sweeping up evidence…”

“I was talking to you. You here for your daddy?”

“Wh-wait, yea, but…”

“Follow me. I’m Deputy North.”

The woman went back to sweeping as Ashley followed North across the street. Inside the station, the desk sergeant was staring at his phone, while a detective snored loudly at his desk. No one else was around.

“My heart is full seeing how important finding my dad’s killer is.”

North didn’t look back.

“Shit happens. Especially here. Detective Thorn is looking into a couple of leads. He’ll call you when he has something.”

“That’s not him taking a nap is it?”

“That’s detective James. He’s a little hungover.”

“Hungover? It’s dinner time.”

“Breakfast time for him.”

They walked down a long hallway and down two flights of stairs to the morgue. Her father was still lying in a body bag. The coroner was sitting on his desk, laughing at something on the phone. He held one finger up when North and Ashley walked in and made some joke about sweet and sour cat and hung up. He slid his bony frame off the desk and approached Ashley with a broad smile and outstretched hand. She stared at his hand until he dropped it, then at his face until the smile faded.

“You must be the daughter. We have your father right over here.”

Without sympathy or a prompt to prepare herself, he unzipped the bag and held it open. The bullet wounds were still wet. He had a chunk of his neck blown off and three slugs in his chest.

“Jee-sus!” She spun away and choked down vomit as tears sprang to her eyes.

“Yea,” the coroner said, “it ain’t pretty.”

Ashley got a hold of herself but didn’t turn back to the body.

“Any leads at all?”

“I’m not at liberty to discuss the matter one way or another.”

“You can’t even tell me if you suspect a specific person?”

“Not my case, sweetheart. I just-“

She was already heading out the door, no time for bull shit. At the next floor up, with the holding cells, Ashley spotted a young girl unconscious on a cot, her head badly bruised. Down the corridor, a cop and a bald man in a powder blue polo shirt were leaning against the cells chatting casually.

“…and I came up there and she was talking with the PI,” powder blue polo man said.

The cop shook his head. “Dumb bitch. What’d she tell him?”

“I’m not sure. Doesn’t matter now.”

“Uh, yea, it does. If she’s talking to him, who else she gonna talk to?”

“What do you want to do?”

“Take’em both up to Edison Park and feed’em to the freaks.”

“Shit, it’s already getting late, man.”

“I don’t give a fuck. No one gives a fuck. Clean up your fucking mess.”

“Ok, ok. Help me get this one back in my car.”

Ashley heard footsteps behind her and she rushed up another flight of stairs to the main floor and headed out the front door. She put her car in reverse, made a hard U-turn and then a right turn and another right, which put her on a bridge overlooking the back of the police station. She saw the two men drag the girl out and toss her into the back of a sedan. The cop went back in and the car sped up the alley, whipping around the corner on to the bridge past Ashley. She waited a beat and followed.

The car took a hard left up a driveway to a split ranch that looked abandoned. Ashley parked the car four houses down, behind a pick-up truck. A few minutes later, two men were dragging CJ out. Her hands and feet were bound twine and she was wearing a ball gag. Ashley got her .38 out of the glove box and took the safety off. As soon as the back door closed on CJ, the sedan screamed backwards into the street and then fish tailed as it peeled out. Ashley felt more confident that blue polo was on his own.

She followed him through the abandoned neighborhood, keeping a two-block buffer, but all he’d have to do is look in the rearview mirror to see her, as there were no other cars around. As soon as she saw the top of the playground, she took a right and a left and stopped in a cul de sac. She ran through the overgrown yard and jumped the small picket fence in the back and found herself in the far end of the park from the entrance, under a weeping willow. She could see blue polo walking the girls in, holding a pistol on them. ‘Feed them to the freaks,’ the cop had said. It gave Ashley butterflies. She looked around, seeing nothing and heard only the whimpers from the girls and the buzz of the orange streetlights.

She wondered if blue polo had been the one to kill her father or if it had been the cop. How many could she be up against?

She waited, as she didn’t have a clear shot at blue polo and had too much distance to clear. She heard rustling nearby and whispers that she couldn’t make out. Blue polo marched the girls to a pavilion and ordered them to sit at one of the picnic tables. He looked nervous, waving the gun back and forth at their faces, and peering into the darkness.  

Ashley crouched down and slowly started to move out from under the tree. She wanted to get at least halfway to the pavilion before she tried to shoot blue polo. Where she was she might miss, and he might panic and shoot one of the girls. As she neared the edge of the streetlight’s glow, three people walked past her, not ten feet away. She froze and then slowly lowered herself to the ground and laid on her belly. As the men stepped onto the pavilion, the girls began to openly sob.

The lead man wore a dark colored long coat and a cardboard crown from a fast food restaurant. The other two were in jeans and long sleeve button up shirts. They looked grimy, like they’d been sleeping rough. The lead man bent down and sniffed the girls’ necks and hair, then turned to blue polo, who had backed away several feet.

“Ok, your highness. Brought you two. I’m gonna go now, ok?”

The king grinned, took off his crown, and bent deeply at the waist with a flourishing hand gesture. The other two men separated the girls and laid them on different tables. It was a numbers game then. Ashley felt sure she could find blue polo again, so she’d let him go, before moving in on these assholes. Blue polo’s car was speeding away when the king turned to the girls and plopped that stupid crown back on his head. The girls were too afraid to move-they just lay on the table without struggle staring into the king’s face.

“I’m so happy to have you both for dinner,” he grinned. “I promise, this won’t hurt for long and that your flesh will serve a higher purpose now than it did out there.”

CJ closed her eyes as all the life seemed to drain out of her.

“What did I ever do to you people...?”

“What did the deer or the fish ever do to the hunter? The cow to the farmer? It’s not about what you did, baby doll, it’s about what you are; meat.”

The tears streamed down her face and she sobbed openly. Ashley slowly stood up, leveled the gun and stepped forward.

“On the fucking ground, pricks.”

All eyes turned to the figure emerging from the darkness.

“Get up, girls, and come to me.”

The king looked around like he just realized he was on some TV prank show. He made a gun with his finger and pretended to shoot her. Ashley already had the hammer back on the .38. He dropped into a crouch, taking a deep breath and then let out an ungodly howl. It sent a chill through Ashley and made her weak at the knees. Then it got worse.

Throughout the park, the neighborhood, came answering howls. They sounded inhuman. Ashley’s hands shook uncontrollably, and she gripped the pistol with both hands. From all around her, she heard a stampede of footsteps rushing at her. Figures began to appear in the dark. She popped off a shot at the king, but it went too far left and clipped one of his men, then she turned and fired into the darkness. The noose was tightening, the only way out was the park entrance. She took another shot at the king as she ran for the street, firing wildly behind her until the gun went ‘click click click,’ and realized to her horror that she’d left the speed loader in the glove box.  

The king was shouting behind, “tonight we feast like gods!”


Ashley woke with a start, still covered in shadow, herself, but sunlight streaming in around her. The derelicts sleeping below had cleared out, but there was a bloody figure laying on the stage. By the angle of her neck, whoever she was, she was dead. Ashley covered her mouth to stifle a sob and quickly headed for the entrance. The upstairs and the lobby were abandoned, as was the parking lot. It was deathly quiet at first, before she heard a train far off in the distance. She took a second to stretch and then jogged/ran/walked/jogged back towards the park, turning off where she had last night to collect her car.

“Thank you, Jesus,” she exclaimed breathlessly, when she found her car untouched. She got in, turned the key and locked the doors. She reloaded the .38 and drove around to the park entrance. There was no one in sight and not a sound to be heard, not even from insects or birds.

She got out with gun in hand and moved swiftly to the pavilion, where she found two bloody skeletons lying puddles of gore. Her shoulders drooped, and she turned around and around, scanning the trees and the hills for any sign of the psychos, but she was alone.

She drove slowly through Feliz Valley, searching for signs of life, but didn’t spot a soul until a garbage truck passed her from a cross street once she reached down town. She pulled up to a diner and picked up her phone, that she’d left under a stack of files. It was dead, and she had to plug it in. She had four new messages from Detective Thorn and one from the coroner, who wanted to know what she wanted him to do with her father’s body. Thorn’s messages simply said, ‘call me back.’

She hit the call back button on Thorn’s number and waited four rings before a soft voice said ‘hello?’

“Detective Thorn?”

“Yes, Ashley. How are you?”

“Pretty fucking bad. Do you have something for me?”

“What’s wrong?”

“What do you have, detective?”

“Uh, well, not much, I’m afraid. We had a witness, but she’s skipped town.”

“No, she didn’t.”

“How’s that?”

“I know what happened to her. And the girl my father came here looking for.”

“Where are you?”

“None of your fucking business. Tell me what’s going on here!”

“Calm down, Ashley. We can’t talk about this over the phone.”

“Too bad, because that’s exactly what we’re doing.”

“You don’t know what’s going on around here…”

“No, but I saw a big chunk of it.”

“You’re in danger.”

“Who are those guys in the park?”

Silence.

“If you don’t talk to me, I can only assume you’re in on it.”

“Let’s meet and talk about this. We can help each other.”

“I can’t and won’t trust you.”

“Then you’ll never understand what’s happening around here. Good luck. The county coroner is driving your father’s body to Wheeler today. Call me when you grow a pair.”

He hung up.

She put the car in drive and took off out of town. She called 911 and requested the highway patrol. Captain Holden got on the line and she ran down everything that happened up to that point and then blue lights flashed in her rearview mirror.

“Captain Holden, one of the local cops is trying to pull me over…”

“Ok, pull over and put the officer on the phone.”

“What if they kill me?”

“Young lady, you’re sounding a little paranoid here.”

“You would be too.”

“Pull over, I’ve got one of my men heading over to meet you right now.”

“Fuck…”

She pulled to the side of the road just outside of the city limits. The patrol car pulled up close and North got out, looking around.

“Here he comes,” she said, rolling down her window.

“Morning. Heading home?”

“Yea, listen Captain Holden from the highway patrol is on the phone and wants to talk to you.”

North took the phone from her with a smile.

“Hey, queer bait, what’s going on?...Uh huh…When?...Oh yea, yea…”

North peered in at her, looking her up and down. Ashley’s heart sank.

“Eh, she looks all right. Little thick in the hips, you know, kinda wide ass…I would, yea…”

She saw the highway patrolman pulling up in the oncoming lane. The officer had a big smile on his face. Then an unmarked patrol car pulled up behind North’s car and a detective in a short sleeve white button up shirt, with his badge on a chain around his neck got out. The three officer’s met in the middle of the street, handshakes all around. Ashley had the .38 between her knees. The detective, presumably Thorn, took the phone and spoke to Holden briefly before hanging up and walking the phone over to Ashley, holding it out with a big grin.

“Detective Thorn, Ashley. Let’s have that talk.”

“Step out of the vehicle please,” the highway patrolman said.

“Why? What’s going on?”

“Step out Ashley.”

North slowly pulled his gun from its holster and then the patrolman did the same.

“Easy or hard, Ashley?”

Her answer was a slug between Thorn’s eyes. His brains exploded out the back of his head before he crumpled to the ground. North and the patrolman brought their weapons up, but Ashley was already punching holes in them, back in forth, until both hit the ground. She got out and grabbed her phone from the ground before speeding away. She used GPS to find a back way to Wheeler and avoided all major roads until she got to her own down town. She pulled up behind the county coroner van in front of the police station and peeled herself off the seat.

As she passed around the front of her car, the back of the van opened, and the king hopped out with a few subjects, all armed. She fell against the hood and tried to roll away, but he had a grip on her shirt and threw himself on top of her. He was all over her, working to pin her hands down as she fought and kicked to get away. His face was so close and stained with blood all around the mouth. His breath was a terror. One of his followers tried to help him get Ashley under control, but he nodded towards the door.

“Go cover our escape. Make sure you take care of any security footage.”

Then he headbutted her and the back of her head smacked into the hood of her car hard enough to leave a dent. She saw stars and he took the opportunity to jam his elbow into her stomach. Then the shooting started. The king flung her onto the sidewalk as glass shattered.

For a moment, Ashley considered just giving up. There were so many, how could she fight them all? Then blue polo walked around from the front of the van, looking nervous. Then the anger took over.

“This is fucked, man. Let’s load her up and get outta here!”

“The time to do that was back home, but our piggy pals fucked that up.”

“This is a lot of dead uniforms, man…”

“We commit these murders to the glory of our goddess Death.”

“Whatever, weirdo, help me get her up.”

As blue polo stepped into range, Ashley kicked him in the right knee with everything she had, knocking the kneecap out of place, and making the joint bend backwards, ripping the cartilage and ligaments. Blue polo hit the ground shrieking as she whipped her .38 from her waistband and pumped a slug into the king’s hip. He spun wildly against the van door. She took her time and blew his jaw off. He landed on her hood, then slid off, spraying across it, before crumpling under the bumper.

Inside, the gunfire was becoming sporadic, they’d probably be heading out any second. She got to her feet and yanked the back door of the van open and found an AR-15 lying on her father’s body bag.

It became quiet inside and seconds later the king’s followers filed out, stopping when they saw blue polo trying to crawl away and then the king, bled out and dead on the street. Before they could react, Ashley stepped out from the van and shot them down. Mostly good shots that wouldn’t kill them right away but would hurt like a bitch until they finally gave up the ghost. Two though, got their heads blown apart. Then it was blue polo’s turn.

Ashley walked around and got in front of him. He put his forehead against the pavement and tried to raise his hands.

“Lady, I-“

She stomped the back of his head. Then again. And again. A blood puddle started to form under his head as his body twitched. She stepped back and then stomped harder until she heard the bones cracking and popping. She stood back, and thought about those poor girls in the park, and stomped him one more time and his brains sprayed out under her foot.

The front door swung open and Deputy Thorpe staggered out bleeding from the shoulder.

“Holy fuck…Ashley…you got’em all..?”

“We’re not done, Cam. We’ve got a shit load of people left to kill over in Millerton.”

End.


Like what you read? Consider checking out my books City Long Suffering or Motel On Fire, available HERE.