Thursday, May 8, 2014

NEW NIGHTBREED COMIC COMING FROM BOOM!

Coming from writers Clive Barker and Marc Andreyko and artist Piotr Kowlaski comes the new comic series based on Barker's novella Cabal and the 1990 film. Boom! Studios (Hellraiser, Adventure Time) will unleash the first issue this month.
I'm waiting to see if this is a continuation of the original story or a new adaptation. Either way, I'm in. Boom!'s Hellraiser books have been fantastic and have totally redeemed the franchise from the deplorable sequels. I'm an even bigger fan of Cabal/Nightbreed and loved the comics from the 90's and while eagerly awaiting the new Nightbreed Cabal Cut on Blu Ray to be released this is very welcome news.
Nightbreed is about a secret city of monsters that hide away from the world of man. Their secret is revealed when a psychiatrist with a twisted secret tricks one of his patients is a vicious serial killer, setting in motion a series of events that put the Nightbreed in a desperate situation.
Now if we can just get Rawhead Rex back into comics..!

KING VULTURE'S SOUND ATTACK 5.5.14; GRRRLS TO THE FRONT

LYDIA LUNCH/CLINT RUIN...DON'T FEAR THE REAPER
LUNACHICKS..."DON'T WANT YOU"
THE GITS..."SECOND SKIN"
L7..."EVERGLADE"
TEAM DRESCH..."FAGETERIAN AND DYKE"
SLANT 6..."WHAT KIND OF MONSTER ARE YOU"
THE RUNAWAYS..."CHERRY BOMB"
BIKINI KILL..."REBEL GIRL"
7 YEAR BITCH..."DEAD MEN DON'T RAPE"
BRATMOBILE..."DO YOU LIKE ME LIKE THAT?"
X RAY SPEX..."WORLD TURNED DAY GLO"
THE SLITS..."NEW TOWN"


Thursday, May 1, 2014

MY HEROES HAVE ALWAYS BEEN MONSTERS PART 41...THE 90's; INDUSTRIAL MUSIC AND COMICS

One thing about most of the movies and/or characters I've written about are actually from before my time or came out when I was too young to see them in the theater.  So I was thinking about this earlier as I was getting ready to write this next chapter (which was about something else that came out when I was too young to see it during it's first run). Where exactly did I get my horror fix in the 90's? From underground comics and Industrial music.
MURDER INC.-"MURDER INC."
I was collecting every comic connected to Clive Barker I could find (Hellraiser, Nightbreed, NOTLD; London, his Marvel series, like Saint Sinner) as well as Ashes, Dead World, Faust; Love Of The Damned, The Crow, Gore Shriek, Zombie War, etc. I had gotten into horror influenced metal with Alice Cooper and Iron Maiden in middle school, then White Zombie's La Sexorcito; Devil Music
Volume 1 and Misfits Collection and Walk Among Us in high school. The thing about those four groups is that they are all awesome and fun, but a bit cartoonish and not really scary.
Scary music came into my life via my friend Kevin late in my freshmen year. Kevin was a little older and had his drivers license and a car. He'd frequently drive out to Knoxville (our big city) and come back with music we'd never heard of. One day he put a cassette in my hand and said, "If you can get through the first track you'll love this."
PIGFACE-"WEIGHTLESS"
The first track was a twelve minute endurance test called The Love Serenade (I Hate You). The band was called Pigface and the album was called Welcome To Mexico...Asshole. This was my introduction to industrial music. That cassette lived in my walkman for days only being traded out with another tape I was loaned that day, The Words and Music of Lou Reed; The Best of the Velvet Underground. Taken together that was kind of a crazy experience since the wildest music I had owned up to that point was Guns and Roses.
The thing I loved about industrial bands was the emotional, political, sexual, religious, and social extremes that many of the best bands were willing to go to. Listening to Pigface, Nine Inch Nails, Ministry, Murder Inc, Revolting Cocks, Front 242, Trust Obey, and Skinny Puppy was like a mash up of Albert Camus' The Stranger, Clive Barker's Hellraiser, William Gibson's Neuromancer, and William Burrough's Naked Lunch mashed up into a musical genre. The music was an electro/mechanical alchemy of punk and metal and often more sonically adventurous than either.     
TRUST OBEY-"HANDS OF FIRE"
   While a lot of bands may not have had an explicit connection to horror, they were able to convey a horrific world view through their lyrics, album covers, videos, and an overall sense of dread the music created. Ministry has two great examples of this. NWO is political and JUST ONE FIX is about heroin (and features Burroughs), but both feel like short horror films.
MINISTRY-"JUST ONE FIX"
Then there's Skinny Puppy's anti-vivisection video. NSFW...
SKINNY PUPPY-"TESTURE"
That's more horrific than most slasher films. It was easy to sit up all night writing horror stories with this music on and it informed and broadened my world view at a crucial time in my youth where I was heading into adulthood in a small town and had very little exposure to what the world had in store for me (Punk rock was doing the same for me at roughly the same time). I was becoming politically aware and also dealing with heavy depression from growing up in a broken home which was manifesting as anger and hate and a pessimism about the future. Nine Inch Nails' PRETTY HATE MACHINE was a good soundtrack for that.
The world of underground horror comics was opened up to me during my freshmen year of high school also, thanks to an issue of Fangoria that featured an article about David Quinn and Tim Vigil's FAUST; LOVE OF THE DAMNED and an issue of Comic Scene featuring an article about James O'Barr's THE CROW (note; actual cover dates are lost to me and I don't remember which came first). I've told the story in an earlier post about how my friend and I went to our second comic con at 14 looking desperately at every booth for issues of Faust and having fully negative reactions from the vendors. These guys were seriously not cool with us or that comic. "No! I don't even carry it in my store. It's sick!" Finally, there was one booth that had four issues and we each bought two and I found issue 2 of The Crow and some Dark Horse ALIENS comics. When we were old enough to drive, we'd spend whole days scouring thrift shops, used book stores, and the one local comic shop looking for more comics like these and that's when we discovered the amazing DEAD WORLD and started regularly reading the HEAVY METAL. 
This was a great time for indie comics, especially with the exodus of talent out of Marvel to Image and the (shudder) Azreal era of Batman. My favorite comic book, X-Men, went into the toilet with Chris Claremont's departure. It would be years before I bought a comic from the big two again and Image quickly started to feel like a screw job, with blatent X-Men clone books, poorly written scripts, and late books. I lived for small press black and white comics.
Industrial bands, comic creators, authors of splatter and cyber punk books were all influencing each other and sometimes collided, like in the film adaptation of The Crow from director Alex Proyas, which featured a cameo from My Life With The Thrill Kill Kult, a screen play from splatter punk writer David Schow, and had an incredibly hip soundtrack of alternative, industrial, and metal bands, including Nine Inch Nails covering Joy Division.
 NINE INCH NAILS-"DEAD SOULS"
At some point Industrial merged with goth and theatrical metal and a lot of it started to sound the same. Bands started sounding the same and there was little innovation and even less to be excited about. The bands that were good, mostly stayed good, if they stayed together, or went off and started new projects that continued their evolution as artists. For me, going backwards to the roots of Industrial was far more interesting. Discovering groups like Big Black, Suicide, Cabaret Voltaire, Killing Joke, The Swans, and Throbbing Gristle have expanded my life's soundtrack and given me plenty of inspiration to write with.
Honestly, with films like I Know What You Did Last Summer, Final Destination, and the Scream sequels coming out like Twinkies on a conveyor belt, it took a while for my faith in modern horror to be re-established. Really, it's been the last ten years where I felt like horror had finally started reaching for the higher artistic standards that other art forms have long since embraced. 
THROBBING GRISTLE-"SOMETHING CAME OVER ME"
Keep watching the sky, nerds!

Thursday, April 24, 2014

NEW ALBUMS FROM WEREWOLVES IN SIBERIA AND WOLFMEN OF MARS...REVIEWED!

I've been a monster kid all my life and a fan of real horror since the mid-80s and I think right now is the best time to be a horror fan. Our access to the most obscure gems is nearly limitless, the over-all artistic quality of films coming out is inspiring (We Are What We Are, Maniac, American Mary, Here Comes The Devil, The Innkeepers), the availability and abundance of collectibles are as attainable as your wallet allows. The boom in quality horror culture has brought a loving resurgence in vinyl soundtracks (my Re-Animator OST from Waxworks Records is to die for) with superior sound quality, amazing art, and sexy colored records.
Along side reissues of classic soundtracks from John Carpenter, Goblin, Richard Band, and Lucio Fulci films there are a number of synth bands inspired by these scores making original music. Bloody Disgusting issued a top ten list of these bands last week, but left off my two favorites; Werewolves In Siberia and Wolfmen of Mars. WiS just dropped the new album Beyond The City Of The Living Dead on April 1st and WoM will release The Light In The Corner Of Your Eye on May 2nd and they are both must owns!
Hailing from my favorite city, Boston MA, Wolfmen of Mars lays down groove heavy synth rock inspired by '70's and '80's horror films. An Abrupt Ending (To A Wonderful Evening) kicks off the album with an atmospheric doom metal feel that sets the tone for a road trip through a scary sci-fi nightmare. Boasting tougher than nails  beats, fuzzier than a lycanthrope guitars and old school keyboard this album perfectly compliments 2013's Universal Madness. And look at that cover! The album wraps up with a sick team up with another horror rock group, The Mangled Dead, that sounds like a lost Samhain song.
Go here to check out the first single, Technicolor Rd.
Go here for the group's Bandcamp page.


Where WoM have more of a rock sound, Werewolves In Siberia has a much more traditional 80's synth feel while introducing different types of beats keeping the music fresh. While WiS can certainly build a cool groove too, the emphasis is definitely on atmosphere and more cinematic. I've enjoyed this album a lot while writing at night with my headphones on. Like 2013's The Rising, Beyond The CityOf The Living Dead is an album you can just get lost in. The Woods lulls you in before chasing you into the dark recesses of your imagination. Lycanthropic Dreamscape opens the werewolf movie of your dreams. Street Vengeance should be the main theme if The Warriors remake ever happens.  The album's closer, A Hole In The Space Time Continuum, is probably my favorite with a driving synth bass line and dread to spare.
Go here to purchase WiS's albums and while you're there download the free Halloween EP and Halloween mix tapes.
So yea, as a horror fan, I've got no complaints these days...aside from being perpetually broke while any number of amazing releases come and go. This synth rock/dark-wave/whatever you call it movement is a welcome addition to the horror rock sub genre that's been a bit bloated with psychobilly and Misfits legacy bands (not to knock any of them!) the last several years.





You can follow both bands' sites at the links above and follow them on Twitter @werewolves_i_s and @wolfmenofmars. To close out here's WoM's Seance By The Sea from their first album We're Gonna Die Either Way...

Thursday, April 3, 2014

CATCHING UP WITH LIFE

Wow, a lot has been happening lately! The two most notable bits of news are polar opposite in the good/bad variety. We lost Dave Brockie the man who was Oderus Orungus of GWAR. He was just 50! It sucks. I owned GWAR's two films Phallus In Wonderland and Skullhead Face. Both were endlessly entertaining and hilarious. And disgusting. And awesome. Oderus's appearance on the Fearnet series Holliston was a great joy.
At the other end of the spectrum comes the surprise news that PHANTASM V; RAVAGER is complete! I loooove Phantasm and I'm a huge Don Coscarelli fan. This film means a lot to mean and I can't wait to see it. It looks amazing...
The Walking Dead season finale was great except that it was only five minutes long! Seriously it was over so quick, but damn if it wasn't a nice place to stop; "They're screwing with the wrong people."
Bates Motel keeps getting better. I was completely skeptical about this show in the beginning, but I'm sold. Last week's episode gave us a taste of the Norman Bates to come. This week's episode helped solidify what a great crime drama the show is.
We plowed through the four original Psycho films last month, because it'd been a while and I was happy to see just how well they all held up over the years. Made me miss Anthony Perkins.
I've got a collaborative project in the works that I hope to be announcing soon. All I'll say is that your IPod will thank you.
Some other things to be looking for;
Epic release of the Creepshow OST from Waxworks Records. It's gore-geous!
Mego style 8" figures of Ash from Evil Dead and Iron Maiden's Eddie (as The Trooper) are coming soon from NECA. I have their retro Jason figure and it's one my favorite pieces in my collection.
Werewolves In Siberia's new album, Beyond The City of The Dead, is out now and  is fantastic. If you love '80's style horror/synthwave music this album will on heavy rotation on your audio consuming device!
I've got some new fiction done and ready to roll and I've made some major headway on three book projects, including the first volume of My Heroes Have Always Been Monsters. I'll be posting bits and pieces here soon.
All right, it's almost 3 am, the hour of the wolf. I better go now. Take care, fiends! Reviews and new chapters of Heroes are just around the bend!
(just a little blast from the past I've been writing to)

Monday, March 17, 2014

KING VULTURE'S SOUND ATTACK 3.17.14

SOCIAL DISTORTION...Up Around The Bend
DROPKICK MURPHYS...Fortunate Son
RICHARD HELL AND THE VOIDOIDS...Walking On the Water
RAMONES...Have You Ever Seen The Rain
GUN CLUB...Run Through The Jungle
RANCID...Bad Moon Rising
MINUTEMEN...Green River
CREEDENCE CLEARWATER REVIVAL...Commotion

Saturday, March 1, 2014

EXCERPT FROM CONSPIRACY OF BIRDS; CHURCH OF THE MIDNIGHT CHOIR


(COPYRIGHT 2011/2014 TIM MURR/ST ROOSTER BOOKS)
The air was all warm mist and misery. The humidity had intensified with the afternoon’s thunderstorm, which had blown in off the ocean quickly and left everything uncomfortable and damp. The rain always turned up the garbage smell. Made the neon beer signs and gas lamps look like something out of a horror movie.
I’d been popping into the usual spots trying to find Lucky. No one’d seen Lucky, but they all kept asking me about Lenny. If I’d heard what happened to him. I said no all seven times and all seven times I was told about how he’d been found down an alley with his skull bashed in.
Nobody cared that he was dead. Nobody liked him. It was just an addiction to the sensational and the dark that kept everyone talking about it. The black trucks rolled down the streets every morning picking bodies out of the gutters or out of alleys or out of their desperate little rooms. Death was as common clouds here, but Lenny was killed with passion. The killer took a minute, not to snuff out a life, but to say something. That underlined the event. That got people talking. Passion is currency. Passion gets papers printed. Passion gets radio specters pouring out of speakers and into the consciousness of the listeners. Passion is a gossip machine. Passion captures the imagination. Passion is mental cocaine for the masses.
This particular night was nothing special, just one out ten million. I strolled past the hookers and the religious freaks and the bums. Foreign sailors chased girls and cursed in languages. Young men hassled scrap collectors. Cops cruised by in patchwork patrol cars with chicken wire welded over the windows. No one was really up to anything and in this place that meant it was just the calm before the storm.
Whatever the storm wound up being, I don’t know. I missed it, because I went to church. Not on purpose, mind you. Just wound up there. Sometimes you get caught up with a movement of people and just go where the current takes you. That’s what happened when I rounded the corner into a dark neighborhood, with shot out street lights, and on to the road that goes past the mission with the big red neon cross. Lots of people of all shapes, sizes, colors, and species shuffling along, muttering to each other.
I was lost in my own head, not paying attention to my feet until the neon cross was directly over my head and I was being gently pushed through the doors. I’d been here once before, when I’d had too much to drink and had passed out on the sidewalk. The preacher who kept the place was a nice guy. I liked him. He took care of me. The place had been a gym, but they slapped the neon on the roof and painted a sign that said ‘Mission’ and ‘Church of the Midnight Choir’.
I wanted to turn back, but I was too tired to push through the throng coming up behind me, so I grabbed a pew in the back and collapsed. There was a hymnal in the pocket in front of me and a pot-bellied drunk to my right. The place was filling up quickly while a stiff looking lady with thick glasses played an old synthesizer set to ‘organ’. She played one song continuously, I don’t know what it was called, but I felt it in my bones. Like I’ve always known it.
There was graffiti carved into the wood on the pews. Some religious, some profane;
‘There is no hell just endless darkness’
‘That is hell’
‘For a good time suck my dick’
‘Fag’
‘I want to go home’
‘Thomas D was here 1867-2102’
‘Just accept love’
‘Bullshit’
‘My name is Sid guess what I did’
‘Jesus is love’
‘No one ever loved me’
The music faded off a single note and the preacher stepped up on stage. He looked tired, with swollen lips, like he’d been punched in the face, and a slight limp. He fixed the congregation with a look of warmth, took a deep breath, and opened his fat lips. 
“We’ve all got blood on our hands…in one way or another. We’re all guilty of something. So we can begin tonight knowing that we are all on common ground. We’re all sinners. We all fall short of God’s expectations. In that failure we can we look to one another and say ‘brother, sister, I’m with you’.”
He took a sip of coffee from the Styrofoam cup on the little table to his left that was piled high with a large Bible and stacks of papers. His congregation looked like they were waiting in line to be whipped. I took a deep breath and crossed my arms. Blood. Sinners. God’s expectations. It was going to be a long night.
Preacher man looked lost, like he had no idea what he was going to say next, or why he was even there.
“I hear it everyday; Why are we here? What is the point? Where is God? Well, I don’t know. I preach the word. I’m not a psychic. I don’t know much more than anyone else, it’s just that my brain is tuned into a radio wave not everyone can pick up. It’s not a blessing...it’s hard! You say ‘why that tornado?’ and I say ‘Jesus loves you.’ And you say ‘so what?’ And some of you…why do you even come here? You demand answers and I tell you what I know and you punch me! One of you tried to stab me! You come here with all your filth and lies and anger…”
The pot-bellied man beside me had started vigorously scratching his belly and grunting with discomfort.
“Whether you like my answers or not…one truth remains…whether you like it or not…and none of your sorcerers or poets or scientists or soldiers can change the fact…that Hell is real…and Satan is real…and me and all my ‘useless’ words…are the only thing standing between you and him!”
The man was clawing at his belly with both hands. Tears streaming down his face.
“And you’ll never wash the blood off your hands!”
The man’s lap was covered in blood and he’d bit through his bottom lip.
“What’s done in the dark will come to light!”
Skeletal hands ripped through the man’s belly while the preacher’s neck began to stretch and twist reaching out across the congregation, coming at me. I couldn’t move.
“The Avenger of Blood knows who you are! He’s waiting outside those city limits! For YOU!”
 The pot-bellied man nudged me in the ribs and my face fell out of my palm. I looked at him scared shitless. He whispered, ‘you were snorin’. I thanked him and focused on the smiling preacher who was talking a wedding and virgins and their wicks.
I ducked out quickly and hit the wet streets with ghosts breathing down my neck. Just another night. Except not really. Lenny was dead and in what was left of this world he had been the best friend I had. Phantoms and nightmares ran me out of my hotel room and were going to keep me running.
I saw Juliet walking arm in arm with bullish man with scarred knuckles. She said hello with her eyes from across the street, but otherwise gave no indication that she’d noticed me. They went into a building I thought was abandoned and I shuddered hard. A police car sped past and I hit the first alley I came to, running fast back to the safety of the hotel bar.
Cheap whiskey, take me away!